Sunday, September 26, 2010

GLI.TC/H in Chicago 2010.09.29-2010.10.03

GLI.TC/H BUMP from Max Capacity on Vimeo.


GLI.TC/H is an international gathering of noise & new media practitioners in Chicago from September 29 thru October 03, 2010!
GLI.TC/H features: realtime audio & video performances with artists who misuse and abuse hardware and software; run-time video screenings of corrupt data, decayed media, and destroyed files; workshops and skill-share-sessions highlighting the wrong way to use and build tools; a gallery show examining glitches as processes, systems, and objects; all in the context of ongoing dialogues that have been fostered by experimentation, research, and play. GLI.TC/H is a physical and virtual assembly which stands testament to the energy surrounding these conversations.
Projects take the form of: artware, videos, games, films, tapes, code, interventions, prints, plugins, screen-captures, systems, websites, installations, texts, tools, lectures, essays, code, articles, & hypermedia.

JOIN THE DISCUSSION ON THE
GLI.TC/H BLOG

web click here

Friday, September 24, 2010

Hacking attitude

Check out this SlideShare Presentation:
View more presentations from PSST : 2.0 OPINIONS AND TRENDS.

she said it was not the day before yesterday but the one becoming the tuessssday dayday

Cyberfeminism 101

Notes on Knowledge Economy from Cyberfeminsm

Check out this SlideShare Presentation:

Nancy Paterson















click here

and here for her stock market skirt

From Cyborgs to Hacktivists: Postfeminist Disobedience and Virtual Communities Carolyn Guertin

...'Connectivity has been called the genius of feminism by theorist Robin Morgan (53), and this genius is being realized in electronic spaces and texts in more complex ways than in any other medium to date. Connectivity is the poster child of the postfeminist universe,...'

for the whole discussion click here

... further discussion of Carolyn Guertin's "From Cyborgs to Hacktivists: Postfeminist Disobedience and Virtual Communitiesoutbound link"
click here

The Ceder Tavern Singers- a big deeelight






























for more delight click here

smart mistakes nice new works ... and a prize

Smart Mistakes and the Short List for Share Prize 2010.

2nd?7th November, 2010
Regional Museum of Natural Science
Turin, Italy
-------

Every year, the Share Festival chooses a special topic to focus on, to
help broaden our minds, sharpen our skills, and inspire creative
expression. So don?t miss this year?s festival from 2nd?7th November,
2010 in Turin!

Smart Mistakes ? Share Festival 2010

ERROR, mistake, mutation, failure, dysfunction, discrepancy, accident,
unexpected change, chance discovery, the aesthetics of error, mass
waste, project failure, abandon project, disaster, flaw, inconvenience,
misappropriation, side-effect, slip-up, flop.

This year, the VI Piemonte Share Festival will be focusing on the
artistic and cultural significance of mistake, in all its broader
senses. The creative potential of analysing and looking into what lies
behind an error is truly great, as it represents the uncovering of an
issue. Which is of particular interest in this year of global
emergencies. The issue uncovered then demands attention, which in turn
elicits controversy, while it is controversy that generates solutions
and innovation.
In the art and culture of our digital age, does mistake still play the
role of instigating change and activating value?

Share Prize 2010
Now are you ready to discover the group of artists called to Turin to
take part in a Share Festival?

Some 270 projects from 20 countries were submitted for consideration for
the Share Prize 2010. The aim of the Share Prize is to discover, promote
and support the digital arts. The competition is open to artists that
use digital technology as a language of creative expression, in all
shapes and formats.
The cultural aim of the Share Prize is to make participation in the
Share Festival open and accessible to all artists.

An international panel of judges consisting of Jurij Krpan (Ljubljana),
Andy Cameron (London), Fulvio Gianaria (Turin), and Bruce Sterling
(Austin/Turin) assessed the submissions. After a very interesting
meeting and a professional, in-depth analysis of all the works, it is
with great pleasure that we announce the six incredible artists who have
been short-listed for the Share Prize 2010.

Read the judges? statement here

The prize winners will be announced at the Share Prize award ceremony on
7th November, 2010 at the Regional Museum of Natural Science in Turin.

Kuai Auson (EC), 0h!m1gas (2008)
0h!m1gas is a biomimetic stridulation environment, based on the activity
of an ant colony under video and audio surveillance, transforming the
ants into DJs and creating a sound-reactive space which reveals the
connection between scratching, as an aesthetical expression created by
human culture, and the stridulation phenomena produced by ants as a
communication mechanism.
http://kuaishen.tv/0hm1gas

Perry Bard (CDN), Man with a Movie Camera (2007)
Man With a Movie Camera: The Global Remake is a participatory video shot
by people around the world who are invited to record images interpreting
the original script of Vertov?s Man with a Movie Camera, and upload them
to http://dziga.perrybard.net, where software developed specifically for
this project archives, sequences and streams the submissions as a film.
http://dziga.perrybard.net

Sonia Cillari (IT), As an artist, I need to rest (2009)
The artist is lying still on the floor of the exhibition space, exhaling
through a very long cable, which departs from inside her left nostril
and ends at the centre of the main screen, suspended from the floor. A
digital creature which she calls 'feather' is entirely generated by her
exhaling into the suspended screen. During the performance, Sonia
Cillari exhales 14,000 digital elements and brings the digital feather
into more than 6 different states of beings, from 'addition' to
'resistance' patterns of life.
http://www.soniacillari.net/AaA-IntR_dedicated.htm

Ernesto Klar (IT/VE/USA), Luzes relacionais (2009-10)
Luzes relacionais" (Relational Lights) is an interactive audiovisual
installation that explores our relationship with the
expressional-organic character of space. The installation uses light,
sound, haze, and a custom-software system to create a morphing,
three-dimensional light-space in which spectators actively participate,
manipulating it with their presence and movements. "Luzes relacionais"
is pays homage to the work and aesthetic inquiry of Brazilian artist
Lygia Clark.
http://www.klaresque.org/luzes_video.mov

knowbotic research (CH), Macghillie_ just a void (2009-10)
In the public performance project MacGhillie, urban sites are visited by
a figure, clad in a camouflage suit, who shows neither the traits of an
individual, or even of a person. The so-called Ghillie Suit was
originally invented in the 19th century for hunting and was later also
used during the First World War (bis heute). Its camouflage anonymizes
and neutralises of the person who wears it in public. The figure
oscillates between the hyperpresence of a mask and visual redundancy.
http://krcf.org/krcf.org/?p=249

Teatrino Elettrico (IT), DC12V (2009)
DC12V is a board-game version of elektrolivecircus. Sounds are generated
using analogue instruments only, recordings of movements, percussion,
friction and the electromagnetic fields of various everyday machines.
Small in converted into big, futile into necessary, objects into
personages, the board into a location. A desktop tragedy in one act for
self-propelled machines.
http://www.youtube.com/watch?v=idaVeVj7ZMc

--------------------------------------------
Share Festival 2010
2/7 NOVEMBRE 2010

Associazione "The Sharing"
Via Rossini 3
10124 Torino
tel. 011 5883693
fax.0118391304

Thursday, September 23, 2010

scoring the play - Rosemarie Fiore




























Long exposure photographs of videogames by (for more click) Rosemarie Fiore:
“These photographs are long exposures taken while playing video war games of the 80’s created by Atari, Centuri and Taito. The photographs were shot from video game screens while I played the games. By recording each second of an entire game on one frame of film, I captured complex patterns not normally seen by the eye.”

the dancing/stutter'n ineffable by alan sondheim


Ineffable http://www.alansondheim.org/ineffable.mov
(it takes a while to upload worth the patience)

inviolable, inviolate, legendary, marvelous, mythical, noncommunicable,
exceptional, extraordinary, fabulous, heavenly, holy, ideal, happiness";
untouchable, unutterable, unwhisperable, venerable, wonderful "unutterable
contempt"; "a thing of untellable splendor", incommunicable, expression or
description; "indefinable yearnings"; "indescribable awesome, awful, cele-
stial, divine, empyreal, empyrean, ethereal, beauty"; transcendent, tran-
scendental, undefinable, unexampled, unmentionable, indefinable, indescri-
bable, inenarrable, inexpressible, innominable, "ineffable ecstasy"; "in-
expressible anguish"; "unspeakable defying unnameable, unparalleled, un-
precedented, unspeakable, untellable, noteworthy, numinous, phenomenal,
portentous, prodigious, religious, remarkable, sacred, sacrosanct, spiri-
tual, stupefying, stupendous, {indescribable}, {unspeakable}, {untella-
ble}, {unutterable}] abstract tiny little elusive object of no consequence
but moving alan dojoji to hir inescapable unreachable destiny, only one
s/he has decided for hirself, no one else has made this journey for hir

Humlab, Sandy Baldwin, Alan Sondheim

Alan Dojoji avatar responding to 'go to' command but constantly thwarted;
s/he is also controlled by several altered mocap animations. The result is
a constant skittering motion, achieving nothing - the condition of the
fan, or anyone relegated to a problematic subaltern relation to visible
signs of in-visible power.
inviolable, inviolate, legendary, marvelous, mythical, noncommunicable,

Affective Encounters in Feminist Media- conference papers

Puustinen, “Gender for Sale. Advertising Design as Technologies of Gender.” In Koivunen & Paasonen (eds.), Affective Encounters. Rethinking Embodiment in Feminist Media Studies. http://www.utu.fi/hum/mediatutkimus/affective/proceedings.html.

Tuesday, September 21, 2010

100 anti-thesis to cyberfeminism


100 anti-theses

cyberfeminism is not ...


  1. cyberfeminism is not a fragrance
  2. cyberfeminism is not a fashion statement
  3. sajbrfeminizm nije usamljen
  4. cyberfeminism is not ideology
  5. cyberfeminism nije aseksualan
  6. cyberfeminism is not boring
  7. cyberfeminism ist kein gruenes haekeldeckchen
  8. cyberfeminism ist kein leerer kuehlschrank
  9. cyberfeminism ist keine theorie
  10. cyberfeminism ist keine praxis
  11. cyberfeminism ist keine traditio
  12. cyberfeminism is not an institution
  13. cyberfeminism is notusing words without any knowledge of numbers
  14. cyberfeminism is not complete
  15. cyberfeminism is not error 101
  16. cyberfeminism ist kein fehler
  17. cyberfeminism ist keine kunst
  18. cyberfeminism is not an ism
  19. cyberfeminism is not anti-male
  20. sajbrfeminizm nige nesto sto znam da je
  21. cyberfeminism is not a structure
  22. cyberfeminismo no es uns frontera
  23. cyberfeminism nije poslusan
  24. cyberfeminism nije apolitican
  25. cyberfeminisme is niet concreet
  26. cyberfeminism is not separatism
  27. cyberfeminism is not a tradition
  28. cyberfeminism is not maternalistic
  29. cyberfeminisme id niet iets buitenlands
  30. cyberfeminism is not without connectivity
  31. cyberfeminismus ist nicht mehr wegzudenken
  32. cyberfeminismus ist kein oxymoron
  33. cyberfeminism is not on sale
  34. cyberfeminism is nor for sale
  35. cyberfeminismus ist nicht gut
  36. cyberfeminismus ist nicht schlecht
  37. cyberfeminismus ist nicht modern
  38. cyberfeminismus ist nicht post-modern
  39. cyberfeminism is not natural
  40. cyberfeminism is not essentialist
  41. cyberfeminism is not abject
  42. cyberfeminism is not an avatar
  43. cyberfeminism is not an alter ego
  44. cyberfeminismus ist nicht truegerisch
  45. cyberfeminismus ist nicht billig
  46. cyberfeminismus ist nicht willig
  47. cyberfeminisme n'est pas jaloux
  48. cyberfeminism is not exclusive
  49. cyberfeminism is not solid
  50. cyberfeminism is not genetic
  51. cyberfeminismus ist keine entschuldigung
  52. cyberfeminism is not prosthetic
  53. cyberfeminismo no tiene cojones
  54. cyberfeminisme n'est pas triste
  55. cyberfeminisme n'est pas une pipe
  56. cyberfeminism is not a motherboard
  57. cyberfeminism is not a fake
  58. cyberfeminism nije ogranicen
  59. cyberfeminism nije nekonfliktan
  60. cyberfeminism nije make up
  61. cyberfeminism nije zatvoren prozor
  62. cyberfeminism is not a lack
  63. cyberfeminism is not a wound
  64. cyberfeminism is not a trauma
  65. cyberfeminismo no es una banana
  66. cyberfeminism is not a sure shot
  67. cyberfeminism is not an easy mark
  68. cyberfeminism is not a single woman
  69. cyberfeminism is not romantic
  70. cyberfeminism is not post-modern
  71. cyberfeminism is not a media-hoax
  72. cyberfeminism is not neutral
  73. cyberfeminism is not lacanian
  74. cyberfeminism is not nettime
  75. cyberfeminism is not a picnic
  76. cyberfeminism is not a coldfish
  77. cyberfeminism is not a cyberepilation
  78. cyberfeminism is not a horror movie
  79. cyberfeminism is not science fiction
  80. cyberfeminism is not artificial intelligence
  81. cyberfeminism is not an empty space
  82. cyberfeminism is not immobile
  83. cyberfeminism is not about boring toys for boring boys
  84. cyberfeminismus ist keine verlegenheitsloesung
  85. cyberfeminism is not a one-way street
  86. cyberfeminism is not supporting quantum mechanics
  87. cyberfeminism is not caffeine-free
  88. cyberfeminism is not a non-smoking area
  89. cyberfeminism is not daltonistic
  90. cyberfeminism is not nice
  91. cyberfeminismo no es callado
  92. cyberfeminism is not lady.like
  93. cyberfeminismus ist nicht arrogant
  94. cyberfeminismus ist keine nudelsauce
  95. cyberfeminism is not mythical
  96. cyberfeminism is not from outer space
  97. cyberfeminismo no es rock 'n roll
  98. cyberfeminism is not dogmatic
  99. cyberfeminism is not stable
  100. cyberfeminism has not only one language